A wide space was the stage for twelve experimental models of new urban settings, each a different and realistic symbol of a modern city: an endless system, free of boundaries and fences, limitless and crossable, everywhere livable and perpetually transitory.
Omnidecor provided surfaces for the creation of the exhibit with DecorFlouMirror Extraclear glass and with its new release, DecorFlouGlossy, a two-sided pane, acid-etched on the one side and mirrored on the other, with unique features allowing for layering and tempering and therefore ideal both for partitions in interior design and facades in architecture.
Such glass surfaces, with their acid-etched effects, perfectly matched Branzi’s project in their flexibility and reversability, as they convey their surroundings only in slightest nuances, in a play of shadows and light effects, and still do not rigidly close in environments.
Omnidecor’s contribution to Biennale of Architecture is a proof of the company’s consistent commitment to research in style, and of its focus on the collective and social meaning of architecture.
OMNIDECOR AT BIENNALE OF ARCHITECTURE WITH ANDREA BRANZI
Omnidecor, a leader in the manufacturing of acid-etched glass, participated in XXII Biennale of Architecture in Venice joining professor and architect Andrea Branzi in the creation of an evocative project “Verso una Nuova Carta di Atene” (For a New Map of Athens).