René Lalique: Enchanted by Glass will trace Lalique’s storied career from high-society jeweler to global entrepreneur.Opening on May 17, 2014, the exhibition will also provide new insights into Lalique’s working methods by bringing together nearly 200 pieces of unique jewelry, glass objects, rare production molds, and design drawings, dating from about 1893 to the artist’s death in 1945.
“René Lalique is a pivotal figure in the history of late 19th- and early-20th-century glass,” said Kelley Elliott, exhibition curator and curatorial assistant of modern glass at The Corning Museum of Glass. “Lalique designed decorative glass for every part of the home, he was seminal in the early success of the French perfume industry, he introduced decorative glass into architecture, luxury trains and cruise ships, and he established a legacy of excellence and innovation in luxury glass production.”
The exhibition traces Lalique’s transition from jeweler to industrialist, including:
■his leading role in the creation of bijouterie (the incorporation of semiprecious stones with non-traditional materials like glass, enamel, horn, and bone), and his triumphant display at the 1900 Paris Exposition, which had an important influence on Art Nouveau aesthetics;
■his growing fascination with glass and his decision to transition from his career as a jeweler to focus solely on glass production, starting with the manufacture of stylish bottles designed for French perfumer François Coty;
■his commitment to technological advancement and mechanization, culminating in the opening of a factory in Wingen-sur-Moder; and
■his groundbreaking display at the 1925 Paris Exposition, which had a marked influence on the Art Deco movement.
First in jewelry design and then in glass manufacturing, Lalique pushed the boundaries to create unique and never-before-seen objects. In doing so, he often pioneered new techniques and processes for integrating, handling, and/or shaping glass. The exhibition will examine key innovations in Lalique’s career through the display of molds, design drawings, and finished pieces.
■In 1891, Lalique invented a type of pâte de verre, a process that produces unique glass pieces like the distinctive Pendant with Bishop Birds. The patented method uses glass paste, which is fused and annealed in a single-use, metal mold, removed with acid, and then finished by hand.
■In 1909, Lalique received a patent for a new way to mold glass bottles, decanters, and vases. The new technique would prove most useful to the perfume industry, which was seeking new ways to expand its market to the bourgeoisie. Lalique partnered with famed parfumiers like Coty, Worth, D’Orsay, Roger & Gallet, and Lucien Lelong to create iconic bottles for individual fragrances. The design-driven marketing innovation helped to propel the popularity of French perfume throughout the world.
■In 1915, Lalique received a patent for a cire perdue (lost wax) technique for casting glass.a molding process that Lalique initially used to shape metal for his jewelry. While each cire perdue product was unique, Lalique produced wax models en masse that allowed for limited-edition runs. The exhibition will display vases made by this method, as well as two related molds for unrealized pieces.
■In 1921, Lalique opened a new glass factory, in the historic glassmaking town of Wingen-sur-Moder. The factory began using a more efficient manufacturing method known as glass-pressing. Using a steel mold into which molten glass was poured and a hand-operated pressing machine, Lalique produced radiator caps for automobile enthusiasts as well as ashtrays marketed to the new women of the 1920s who had adopted smoking.
See images from René Lalique: Enchanted by Glass on Pinterest.
About The Corning Museum of Glass
The Corning Museum of Glass is home to the world’s most important collection of glass, including the finest examples of glassmaking spanning 3,500 years. Live glassblowing demonstrations (offered at the Museum, on the road, and at sea on Celebrity Cruises) bring the material to life. Daily Make Your Own Glass experiences at the Museum enable visitors to create work in a state-of-the-art glassmaking studio. The campus in Corning includes a year-round glassmaking school, The Studio, and the Rakow Research Library, the world’s preeminent collection of materials on the art and history of glass. Located in the heart of the Finger Lakes Wine Country of New York State, the Museum is open daily, year-round. Kids and teens, 19 and under, receive free admission. www.cmog.org.
The Museum is currently adding a North Wing, designed by Thomas Phifer, which will open in late 2014. The 100,000-square-foot North Wing addition will include a new 26,000-square-foot contemporary art gallery building, as well as one of the world’s largest facilities for glassblowing demonstrations and live glass design sessions.